Living with recovering addicts
Wow - it really works:
Look at the center of this image for 30sec, then watch Van Gogh’s *Starry Night* come to life.
(via thelearningbrain)
(via leahwinehouse)
just an inch of snow…
but everything old
is suddenly new
___
winter winds
they can do no more
to this weathered fence
____
morning fog -
the smell of summer
in the hay bales
…many people in happily monogamous relationships…pursue same-sex friendships as a way of redirecting forbidden, amorous impulses. Friend-wooing, one of life’s great pleasures, is also one of its least talked about. Are the forces of attraction similar to those that propel romance? How important are first impressions or endorsements from other friends?
more.
…careful not to upset delicate sensibilities. Since his inaugural address didn’t do this, it somehow came up short…How dare Obama nominate a Republican Defense Secretary he knows Republicans don’t like! How dare the president present an ambitious agenda to prevent gun violence over the…
Your life is yours. We spend so much time chasing after what we want that we don’t realize that we have been tolerating what we don’t want. If there are things in your life that don’t work for you, change them. If there are people in your life who bring you down, distance yourself from them. If…
The story of Richard Blanco, the poet currently speaking, is super-fascinating. Here it is, in his own words.
(via pptinprek)
http://action.2013pic.org/page/-/Text%20of%20Richard%20Blanco’s%20Inaugural%20Poem.pdf
One sun rose on us today, kindled over our shores, peeking over the Smokies, greeting the faces
of the Great Lakes, spreading a simple truth
across the Great Plains, then charging across the Rockies. One light, waking up rooftops, under each one, a story told by our silent gestures moving behind windows.My face, your face, millions of faces in morning’s mirrors, each one yawning to life, crescendoing into our day: pencil-yellow school buses, the rhythm of traffic lights,
fruit stands: apples, limes, and oranges arrayed like rainbows begging our praise. Silver trucks heavy with oil or paper— bricks or milk, teeming over highways alongside us,on our way to clean tables, read ledgers, or save lives— to teach geometry, or ring-up groceries as my mother did for twenty years, so I could write this poem.
All of us as vital as the one light we move through,
the same light on blackboards with lessons for the day: equations to solve, history to question, or atoms imagined, the “I have a dream” we keep dreaming,
or the impossible vocabulary of sorrow that won’t explain the empty desks of twenty children marked absent
today, and forever. Many prayers, but one light
breathing color into stained glass windows,
life into the faces of bronze statues, warmth
onto the steps of our museums and park benches 2
as mothers watch children slide into the day.One ground. Our ground, rooting us to every stalk
of corn, every head of wheat sown by sweat
and hands, hands gleaning coal or planting windmills in deserts and hilltops that keep us warm, hands digging trenches, routing pipes and cables, handsas worn as my father’s cutting sugarcane
so my brother and I could have books and shoes.The dust of farms and deserts, cities and plains mingled by one wind—our breath. Breathe. Hear it through the day’s gorgeous din of honking cabs, buses launching down avenues, the symphony
of footsteps, guitars, and screeching subways, the unexpected song bird on your clothes line.
Hear: squeaky playground swings, trains whistling,
or whispers across café tables, Hear: the doors we open for each other all day, saying: hello| shalom,
buon giorno |howdy |namaste |or buenos días
in the language my mother taught me—in every language spoken into one wind carrying our liveswithout prejudice, as these words break from my lips.
One sky: since the Appalachians and Sierras claimed their majesty, and the Mississippi and Colorado worked their way to the sea. Thank the work of our hands: weaving steel into bridges, finishing one more report for the boss on time, stitching another wound 3
or uniform, the first brush stroke on a portrait,
or the last floor on the Freedom Tower
jutting into a sky that yields to our resilience.One sky, toward which we sometimes lift our eyes tired from work: some days guessing at the weather of our lives, some days giving thanks for a love that loves you back, sometimes praising a mother who knew how to give, or forgiving a father
who couldn’t give what you wanted.
We head home: through the gloss of rain or weight
of snow, or the plum blush of dusk, but always—home, always under one sky, our sky. And always one moon like a silent drum tapping on every rooftop
and every window, of one country—all of us—
facing the stars
hope—a new constellation
waiting for us to map it,
waiting for us to name it—together
(via fauxtrots)